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Why I Always Denoise Before I Edit (Lightroom and Camera Raw)
Digital cameras have become incredibly good at producing clean images in low light. Some cameras can produce surprisingly clean results even at very high ISOs. However, even the best camera will produce some amount of noise, even if you shoot at the lowest ISO. For Adobe Lightroom and Camera Raw users, AI-powered Denoise has made it easier than ever to remove noise without significantly reducing image quality. But a few questions remain: Is it necessary to remove noise from i

Ian Plant
3 days ago


Interview with Helmut Pilo: Finding Your Voice in Nature Photography
The camera is simply the meeting point between two landscapes: the one in front of our eyes and the one we carry inside ourselves. — Helmut Pilo Helmut Pilo is a nature fine art photographer based in Italy who creates evocative, painterly images that prioritize emotional atmosphere over literal representation. His process, deeply influenced by impressionism and music, focuses on translating personal sensations of landscapes into visual stories. In this interview, he talks abo

Taya Iv
Sep 1


Extract Photos from Video for Hard-To-Capture Action Shots
As photographers, we're usually trained to think in terms of still images. We choose our composition, set our exposure, focus on the subject, and wait for the right moment to press the shutter. But sometimes, the hardest part is knowing when the action is going to happen. For certain difficult-to-capture moments, I sometimes stop taking still photographs and switch my camera to video instead. Later, I can scrub through the footage and extract a single frame that captures the

Ian Plant
Aug 18


John Meragias on Nature Photography and Solo Travel
The world is so big, and that's only the part that we even see on social media. - John Meragias In this episode of Photo Masters Podcast, I talk with nature photographer John Meragias about the experiences that have shaped both his photography and his outlook on life. From photographing owls close to home to backpacking through remote mountain ranges, John shares how curiosity, patience, and a willingness to embrace discomfort have helped him grow as both an artist and a pers

Taya Iv
Aug 4


Go Ultra-Wide with Tamron's New 12-20mm f/2.8 Lens: First Impressions
I've always loved ultra-wide lenses for capturing extreme near-far landscape compositions. Tamron just announced a lens that dives deep into ultra-wide territory: their new 12-20mm f/2.8, which offers a sweeping angle of view of approximately 122° on the wide end. This lens is going to be a great choice for full-frame mirrorless Sony and Nikon users looking to take the plunge into the amazing world of ultra-wide photography. Why I Love Ultra-Wide Lenses Wide-angle lenses al

Ian Plant
Jul 15


The Benefits of Magnetic Filters
For many photographers, filters are an essential part of the creative process. While filter technology itself hasn't changed dramatically in recent years, the way filters attach to lenses has evolved. One of the most significant improvements is the introduction of magnetic filter systems. At first glance, magnetic filters might seem like a small convenience. Instead of screwing a filter onto the front of a lens, the filter simply snaps into place using magnets. In practice, h

Ian Plant
Jun 18


Master Focus Stacking for Sharper Landscape Photography
Ever since the days of Ansel Adams, landscape photographs have featured sharp focus throughout the entire image frame. This is something I call "Deep Focus," and in the past, photographers mostly relied on something called hyperfocal distance focusing to maximize depth of field (the zone of apparent sharp focus) in the image frame. While that technique is still useful, these days landscape photographers typically use a technique called focus stacking which is easy to use and

Ian Plant
Jun 2


Inside Photoshop’s Updated AI Remove Tool
Adobe Photoshop's latest Remove tool update has added a new Find Distractions feature, which may be a major shift from manual retouching toward context-aware editing. Unlike traditional healing or cloning tools, it doesn’t simply replace pixels based on nearby texture. Instead, it analyzes scene structure and object categories to decide what belongs in the image and what doesn't. This is a very similar, but slightly more advanced, version of Lightroom's object/people detectio

Taya Iv
May 19
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